Internal Monologue

 Originally posted on the Expecting Rain forum : Some thoughts on "Murder Most Foul", after over a year: It works on me. I'm in the "it's a masterpiece" camp. I can tell you a story about why I think it is, but I'm not certain that would be the real story. ("Key West" on the other hand, does not bind me with its spell--somehow that one I look at from the outside, rather than get pulled in.) I think the central conflict in the song is between overwhelming cynicism and evil, represented by the killing of Kennedy, and the power of music to heal wounds and offer solace in the face of despair. I think Dylan has music "win" the battle, but it's not obvious. But at the end, "Murder Most Foul" no longer refers to the assassination so hideously depicted earlier in the song: it now refers to the song itself, and it is the last shot fired in Dylan's barrage of DJ Wolfman Jack invocations against hopelessness. This is a great bi

Short version The lyric is not "Fifty-sixth and Wabasha", it is actually "Fifty-six and Wabasha", referring to the intersection of old Minnesota Highway 56 and Wabasha Street in Saint Paul, Minnesota. If you listen, you can hear Dylan sing "fifty-six", rather than "fifty-sixth", particularly on the take that was released as the B-side to "Duquesne Whistle". Minnesota Highway 56 no longer intersects Wabasha Street, but from 1963 to 1974 it did intersect Wabasha Street, at what is now (in Feb. 2021) the intersection of George Street and Cesar Chavez Street in St. Paul, or possibly South Wabasha & Cesar Chavez.  Long Version "Meet Me in the Morning" is the first song on side two of Bob Dylan's celebrated 1975 album  Blood on the Tracks. In the opening lines of the song, according to the lyrics on Bob Dylan's official site (https://www.bobdylan.com/songs/meet-me-morning/), the narrator invites the listener to a rendez